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When you're black and female in America, society's rules were never meant to make you safe or free. In this "flawlessly executed work [that] reinvigorates the short fiction genre," Camille Acker's relatable yet unexpected characters break down the walls of respectability politics, showing that the only way for black women to be free is to be themselves (BUST). In her debut short story collection, Camille Acker unleashes the irony and tragic comedy of respectability onto a wide-ranging cast of characters, all of whom call Washington, DC, home. A "woke" millennial tries to fight gentrification, only to learn she's part of the problem; a grade school teacher dreams of a better DC, only to take out her frustrations on her students; and a young piano player wins a competition, only to learn the prize is worthless.  Ultimately, they are confronted with the fact that respectability does not equal freedom. Instead, they must learn to trust their own conflicted judgment and fight to create their own sense of space and self. "A timely, welcome book." --The Millions

   Despite the misogynist ideology of Italian Fascism, and contrary to the picture drawn in the most post-war literary histories and anthologies, the 1920s and 1930s were a time of wide publication and both popular and critical recognition for female authors in Italy. Focusing on the cultural pages of three major daily newspapers of the period, Robin Pickering-Iazzi discovered a wealth of contributions by famous and less-known woman that have been unavailable to readers in Italy as well as the United States for over 60 years. Expertly translated, these 16 stories are evidence not only of the high literary quality of this body of work but also of resistance to the self-sacrificing ideal of the "New Woman" of Fascism. The memorable female characters inUnspeakable Women adopt a varying strategies to create their own identities and agency regarding writing, sexuality, marriage, and family-all in opposition to the repressive norms of the culture. The stories are by Grazia Deledda, who won the Noble Prize for Literature in 1926, Maria Luisa Astaldi, Gianna Manzini, Ada Negri, Carola Prosperi, Pia Rimini, and Clarice Tartufari.

Finalist for the 2019 National Book Award for PoetryHow do you gain access to thepower of parts of yourself youabhor, and make them singwith beauty, tenderness, and compassion?This is a record of fifty yearsof victories in the reclamationof a poet's voice.The story of Toi Derricotte is a hero's odyssey. It is the journey of a poetic voice that in each book earns her way to home, to her own commanding powers."I": New and Selected Poems shows the reader both the closeness of the enemy and the poet's inherent courage, inventiveness, and joy. It is a record of one woman's response to the repressive and fracturing forces around the subjects of race, class, color, gender, and sexuality. Each poem is an act of victory, finding a path through repressive forces to speak with both beauty and truth.This collection features more than thirty new poems as well as selections from five of Derricotte's previously published books of poetry.